Subway Bathroom


Our highly appreciated reporter in Hamburg Rudolf from Urbanshit recently wrote about a project by graphic designer and illustrator Christoph Niemann, who’s currently living and working in Berlin. Niemann abstracted a sample of the New York’s subway map and turned it into a tile pattern. The result is a neat and coloful interior design for a small bathroom.


For years Niemann has been working successfully as an illustrator and graphic designer in New York City. He used to design covers for the The New York Times and is known for his distinctive and subtly humorous illustrations. Besides that he runs the Abstract City blog on the New York Times website.

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Multi-Sensorial Gastronomy: The Future Of Flavor


‘Feeding the Senses’ is an interesting novelty in the field of food future. Before we’ve been talking about Philips’ food explorations and instant food installations, such as the Biotower and the food printer. The invention presented here is another step in the way we can think about food, this time focusing on ‘haute cuisine’. Feeding the Senses is a project from Philips’ design laboratory Design Probes, and combines the company’s central field of expertise (illumination), with the culinary art of the Spanish three Michelin stars chef Juan Mari Arzak. The project explores a completely new gastronomical experience. The sensual enjoyment of flavors, the appreciation of harmonies and the recognition of nuances, create the unique pleasure of the dining table.

“Designed to not only delight palates, but also evoke emotion and stimulate the senses, the three design concepts – Lunar Eclipse (bowl), Fama (long plate) and Bocado de Luz (serving plate) demonstrate how unobtrusive new functions can be incorporated into familiar objects to dynamically alter the sensory experience during a meal. The simple act of placing food on the plates or pouring liquid into the bowl triggers sensory stimuli and causes them to react.”


Feeding the Senses (check the animation at the website) is a form of multi-sensorial gastronomy. Philips Design has explored how the integration of light, conductive printing, selective fragrance diffusion, micro-vibration and a host of other integrations of sensory stimuli could affect the eating experience in subtle ways.

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Become A Fan

Yesterday we finally opened a Facebook page devoted to this blog, The Pop-Up City. Hereby we’d like to invite you to join the network and make it a happy, vibrant place. We’ll be filling the page with all kinds of content in the coming time. Furthermore we encourage you to post good stuff as well. Click here to go to the Pop-Up City page and become a fan.

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On Plug-In Retail

In August I wrote about a walking grill in Berlin. My article triggered Junk Jet Magazine to invite me to contribute to its third volume. This issue, which is made in collaboration with the University of Stuttgart, has been launched recently. It has become a great product containing all sorts of pop-up city-related items. You can order one of the spare 555 copies at the Junkjet website or Amazon. I’d like to share my article on plug-in retail with you.

Last summer I came across a ‘Bratwurst’ selling girl close to subway station Frankfurter Allee, in the district of Friedrichshain, Berlin. Observing her for a couple of minutes, her business seemed to be running quite well. Which surprised me, as it was incredibly hot that day, and every single fibre in my body shouted for lemonade instead of a hot fat ‘Bratwurst mit Senf’. But each culture needs its abnormality and the girl didn’t seem to suffer from the heat, thanks to the umbrella that’s part of the installation. The ‘Wurstel’ that cost € 1,20 are freshly prepared on a special feather light electric grill hanging around the girl’s neck, electricity is provided by a generator on her back, while a cool box keeps the sausages fresh. The walking grill is hosted by a brand called Wurst König.


Throughout history moveable retail has always been more important than it is now. Already in ancient times, the city was a central place were the vendors of food had to come to, due to a high concentration of people. Food came to the customer. Being a youngster, I used to live in a small rural village in the very north of The Netherlands. The village didn’t have any serious shops, but the so-called ‘SRV man’ came by with his truck on Mondays and Thursdays for home-to-home elementary deliveries. The shop came to the people and each time he dropped by, something was happening in our street. People came out of their front doors and started having little chats. The ‘SRV man’ was the entrepreneur, servant, deliverer, and driver of the bus at the same time. Somewhere in the history of Western Europe we decided collectively that the customers are the ones that have to travel, and not the vendors. Don’t ask me why, but retail became more and more attached to place, with IKEA as most significant example. IKEA occupies a huge location somewhere in the ‘Edge City’, and becomes a true, almost touristic attraction on a regional scale, even causing its own weekend traffic jams in the middle of nothing.

Moving retail concepts from the past are gone, and I’m the last to speak about revitalizing those. But I’m fascinated by the question what moveable retail will look like in the future, within a market economy that depends on the power of demand?

The walking grill is the corporate version of traditional sidewalk merchandising. Sidewalk merchandising is a clever system of personal initiatives seeking clients while adapting a custom strategy each minute when necessary. In Moscow, the old Russian woman with a little table in front to sell raspberries grabbed my attention. More flexible than that is hardly possible, although she might not earn that much. In Milan, a daily spectacle is caused by the street vendors selling imitation Louis Vuitton and Prada bags. That’s illegal, and somehow the Italian police considers this incredible crime as a priority. As soon as the Carabinieri arrive the vendors immediately fold their blankets and start running into a subway station. Very entertaining. The point I want to make here is that all this action makes our cities great places full of human interaction.

One step higher, in the domain of kiosks, we find a lot of new formulas trying to widen the range of products that can be sold in flexible spaces. The founder of KiosKiosk in London wants to address the difficulties young creatives have to deal with when starting a company in London. For instance, retail space is barely affordable. Another pretty example is the Salakauppa in Helsinki which stands for ’secret shop’. This is the place where designers Aamu Song and Johan Olin sell their products, ranging from fashion to furniture and books. Right on the street, in a kiosk.


More profound and corporate are the pop-up stores that have emerged during last years as an urban trend. Interesting here is that also these shops follow their customers, while already having an online customer base that can be informed about new location. The position of the brand is strong enough to attract curious clients to the most unusual but inspiring places. One of the biggest pop-up stores is Puma City, a Puma flagship store that traveled the world along with the Volvo Ocean race, visiting raw harbor areas around the globe. Puma City is a three level indoor-outdoor structure, consisting of 24 steel shipping containers. Designed by New York-based architecture office LOT-EK, the flexible building acts as a store, lounge and mobile home base. The structure is designed to be easily taken apart, shipped and reassembled anywhere in the world.

The future of retail will be in flexibility. To serve a new generation of customers, entrepreneurs have to be keen on finding the right patterns of their clients. The current Internet provides another place-related dimension here. Kogi Korean BBQ, for instance, is a Korean taco restaurant on wheels. Kogi sells its food primarily from two trucks moving from place to place in the Los Angeles metropolis. The people of Kogi set up a Twitter channel in order to inform customers about where to find them… with a load of followers already.

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NYC BigApps: The Final Results


Last October I wrote about some initiatives that aim to improve the so-called user-generated city. One of those initiatives is the New York BigApps competition, set up by the City of New York asking for innovative applications to make city life more transparent, accessible and accountable. Today the organization announced the winning project — WayFinder NYC. WayFinder is an Augmented Reality application on the smartphone enabling its users to find the nearest subway station in New York City. The winner won $ 20,000 and a breakfast with NYC’s mayor Michael Bloomberg.

“The City of New York is improving the way it provides information and transparency to citizens. But delivering great information requires great tools. The NYC BigApps Competition will reward the developers of the most useful, inventive, appealing, effective, and commercially viable applications for delivering information from the City of New York’s NYC.gov Data Mine to interested users.”

To me, the winners are somehow surprising, especially when taking the other apps into account. Although I didn’t try the winning WayFinder app yet and although the interface is pretty, I believe other competitors created more useful applications. The mean reason is the fact that the same service is already provided by Nearest Subway, a corporately developed application using Augmented Reality technology. I never understand why governmental organizations in general oftentimes want to reinvent such private initiatives for themselves. This proves a ‘me too’ mentality which mostly leads to sadly failure in the phase of real implementation.

Although the developed apps are interesting enough to spend government money on, somehow they show to be pretty much the same. They’re generally about finding something in public space, whether it’s about schools, trees, or subway stations, these services are technically pretty much comparable. To be honest I expected more creativity. Taxihack, a cabdrivers evaluation app that won the second price is a positive exception. It combines customer opinions and collectively shared information. I may be wrong, but I heard Amsterdam (the city that is world-famous for its impolite cabdrivers) is also busy developing such a service.

“Taxihack allows users to post live comments on NYC taxis and their drivers via email (alert@taxihack.com) or Twitter. Users send messages to the system, including either the medallion number (like 1A23) or the driver’s number (located on the driver’s id visible in the backseat).”

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Mobile Bus Bars


Today I stumbled upon a nice article by Rebel Art about a wicked, unusual mobile bar in Berlin that consists of four old vans. According to its inventors, “Wientjes’ mobile bar is a cloak-and-dagger pub that deals with gentrification quite self-ironically”. Four furniture lorries drive around the city, each equipped with one quarter of a hip bar. They meet at a random place and park side by side and create a large and cozy internal space. “Gentrification pioneers start meeting and right after it got around, the bar is taking off again.” Nice.


To some extent this project fits with Partizan Publik’s Moonshine Bus developments that are taking place here, around our headquarters at the Staalvilla in North Amsterdam. The Moonshine Bus is a former city bus from Cologne that will be transformed into a mobile coffee and sandwich bar, night club, exhibition room, lecture hall, flexible workspace, cinema, and illegal brewery. The bus is expected to open this Spring. We’ll keep you posted!

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Prefab Rooftop Swimming Pool

Just a piece of architectural inspiration which I found via Matarua’s Tumblr blog Obsidian Bureau. It’s a swimming pool on top of the Hemeroscopium House, a residence in Spain designed by Ensamble Studio last year. It must be extremely exciting to swim here. According to Matarua, “the cantilevered lap pool is actually one giant precast beam which seems to defy all rules of gravity”. Altough I love the building, I think the theoretical talking around it is rather pretentious and excessive. Here’s a phrase recorded by the architects themselves:

“Hemeroscopium is for the Greek the place where the sun sets, an allusion to a place that exists only in our mind, in our senses. It is constantly moving and mutable, but is nonetheless real. It is enclosed, delimited and suggested by the horizon, though it is defined by light and only takes place in a precise moment of time.”

To me it would have been equally great when the house would have been introduced as a collection of concrete elements carefully arranged into a gorgeous home. But somehow architects need concepts, therefore I like the comments on Tropolism that call the building post-OMA. The villa is prefabricated and constructed in one day as you can see in the video below.

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Green Connections In A Nursing Home, Amsterdam

On Bill O’Reilly’s conservative TV show, The Netherlands are often ridiculized when talking about the way soft drugs policy is organized here. First of all, O’Reilly doesn’t know what he’s talking about, but that’s obvious. Second, hold on Bill… it’s even worse here in Amsterdam. Not only adolescents are smoking their way through life, even the elderly and people with disabilities have their networks. Here’s a personal report from a nursing home in the centre of Amsterdam.


A few years ago I earned my living by working for people who needed help in their household – because of their age and/or their physical condition. Shopping, cleaning, watching TV, many cups of tea, and… a joint now and then! One of the ladies I worked for had Multiple Sclerosis (MS), and in order to relieve the pain in her muscles she was allowed to smoke medical cannabis. For medical reasons cannabis is available on doctor’s prescription in Holland, just like in California. Talking about the quality of this stuff, she claimed that regular cannabis was much better. “Have a look in that closet”, she said…


It was amazing — the closet revealed two sealed bags of approximately 100 grams each, filled with marihuana! This is pretty much and will cost close to 700 euros when buying it in a normal coffeeshop. To my obvious question where she got it from, the answer was surprising and stunning at the same time. These huge green bags originated from a mate of hers who lived in the same nursing home, revealing a network of cannabis dealers within the walls of this building! Thus illegal green connections not only exist among the mob, but also among decent elderly people, and finally we get to understand why old people sit together playing cards, bingo and shuffle board games the whole day… they are just doing business!

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Caravan Hitchhiking Project


Friday’s Dutch late night news show had nothing better to report about, so an item passed about a Dutchman who’s hitchhiking around Europe with a trailer. Tjerk Ridder (the man on the picture) has a caravan, but no car to transport it. On January 3rd he left Utrecht with his caravan hitchhiking to the European Capitals of Culture of 2010: the Ruhr Area in Germany, Pecs in Hungary and Istanbul in Turkey. Under the name of ‘Trekhaak gezocht’ (which means something like ‘Wanted: Tow Bar’), Tjerk entirely depends on others willing to move him forward.


According to Ridder, the idea of the project is to show that you need others to go ahead in your life. On his trip Tjerk collects ‘fresh resolutions’ from the people who give him and his caravan a lift. These personal good intentions are conserved the old fashioned way in tin cans, and given to people as a present for their kindness and as a memory of their fresh resolutions. The expiration date is printed on the can and represents the date by which the resolution should be realized.


While traveling, Tjerk writes songs in order to produce a new guitar album when returning. The route and progress of this trip can be checked here. Updates about experiences are collected on a blog, on Flickr and on Twitter. One can support the caravan trailer experiment by donating, by pulling the caravan through Germany or by hiring Tjerk for a special travel story concert when he’s back. There’s also the possibility of buying the songs he makes produces while traveling, for every chosen amount of money.

Recently Tjerk presented at Pecha Kucha Night Volume 16 in Cologne. Hereby we’d like to invite him for our Pecha Kucha Night Amsterdam as well. For now good luck and we hope to see you soon!

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Build An Upgradeable Future With Grid Beam


Grid Beam is a building system which enables anyone to construct a variety of objects quickly and easily without expensive wood shop services or equipment. All of the Grid Beam system is based on re-usable standard beams of steel and wood with repeating hole patterns on all four sides. This offers its users an infinite number of possibilities. A community of Grid Beam users builds a wide range of constructions varying from solar-powered cars to bunks. The whole project has an ideological background, which definitely is shared here. The Grid Beam philosophy is all about building changeable, customizable, upgradeable and recyclable stuff. How to build on a flexible future without spoiling used material?

“As designers, we all strive to build products that will be relevant 50 years from now. But, since none of us knows what that future will really look like, design flexibility and reusability is essential. You might think of Grid beam as a structural glue that allows us to mix, match and mate different technologies together in new ways. This means that all of the components and custom parts that we make, or purchase and use together, share the same hole spacing as the Grid beam. This creates maximum parts interchangeability and design flexibility.”


The Grid Beam design group is an accomplishment of Buckminster Fuller’s challenge (“Good hardware is one of the few irrefutable proofs of clear thought”) and largely inspired by the ideas and techniques presented in Ken Isaacs’ book ‘How To Build Your Own Living Structures’, which is available in our online library. The great advantage of this system is the fact that it’s very simple to use. It doesn’t require any special hubs or connectors to make a strong frame.

To me, the Grid Beam system looks like the Meccano construction set that my father used to play with when he was young. I never really did, but heard a lot of good stories about it. I preferred to spend the long, dark Dutch weekends with Lego. In addition, I owned a hardly used set of Sio Montage — another almost forgotten construction set for kids.


In 2008, a book about Grid Beam was published, containing a collection of constructions produced using the system. One of the authors, Phil Jergenson, is one of the main developers of the grid beam building system. The other authors, Richard Jergenson (who’s been playing around with Grid Beam since 1977) and Wilma Keppel are convinced users.

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Arrow, Crane


To inform the world about their (free) Ovi Maps mobile navigation software, Nokia built a house-sized, interactive signpost in the form of a dynamically rotating electronic LED screen, and hung it next to London’s Thames river, 50 meters up in the rainy sky. The gigantic structure allows passers-by to send in a location via text or email and then automatically rotates to the given direction and displays the submitted description (which are called ‘Good Things’ by Nokia, but why?) and the distance to it.

“Based on the simplest form of giving someone directions (pointing) it lets you share the places you love, or tells you about the places others love. When the signpost is live it constantly turns and shows the distance and direction to new Good Things. Submit your favorite cafe, an upcoming concert or a rare record store and the signpost will automatically turn in the right direction and the giant LED screen will light up.”

Nevertheless, the funny thing is that the crane itself is controlled by crane drivers, in a room, behind a bunch of monitors. “There we get the title, description, location and through some mapping magic we find out the direction and distance. When the Good Thing is ready we push it up on the signpost and turn it in the right direction.” You would have expected something more innovative. Watch the video below to see the thing in action.

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Anteroom


The idea behind the Anteroom series is so brilliant and simple. Vancouver-based artist James Nizam projects a big size pinhole experience into rooms of abandoned, soon-to-be-demolished houses. He then made photos of the nostalgic sceneries. (By the way, check this nice pinhole photo series on Flickr.)


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Soundpiece: A Permanent Audio Experience In Rotterdam

One of these days Soundpiece will be installed in downtown Rotterdam. Soundpiece is a major permanent open air sound installation, meant to transform the Schouwburgplein into a permanent cultural platform for audio-related culture. According to its curator David Dooghe, the idea behind Soundpiece is to create a central place in the city where different cultural performances, that usually take place behind the facades of cultural institutes, could be experienced by anyone.


Soundpiece should transform the Schouwburgplein into the cultural foyer of Rotterdam. It connects the different spaces in which Rotterdam’s cultural life takes place by facilitating audio snapshots of the city’s cultural program. This implies a lot of upcoming performances on Soundpiece that are streamed from activities that already take place in theaters, clubs and festivals in the city. Soundpiece creates an own program of interesting audio experiences. There’s an open call for artists and other sound performers to contribute  and get heard by a massive and broad audience. Applications and ideas could be sent to soundpiece@rotterdamfestivals.nl.

Great about this project is the way public space is programmed in an a-physical way. A new layer (this time not augmented) of experience, emotion and meaning is introduced at a prominent spot in the city. Soundpiece will be launched during the annual Rotterdam Film Festival.

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Hungry Hungry Eat Head


Hudson-Powell and Joel Gethin Lewis created a new site-specific play experience for a big screen in the center of Edinburgh entitled Hungry Hungry Eat Head. The greatest thing about the project is that there’s no specific goal or reason, apart from the fact that it is fun. Passers-by are given the opportunity to perform in a live broadcasted comic. Here’s some explanation about the project:

“Using video-tracking technology that exchanges pattern markers for augmented 3D animations, Hungry Hungry Eat Head is a fun and playful experience for the wider public to engage with – and the first time this technology had been used at any of the UK towns and cities in the expanding Big Screen network. By relaying a live overhead camera feed of the public space upon the 25-metre square LED monitor, the effect is that of a ‘magic mirror’ where the viewer’s own reflection shifts and changes before their eyes. Markers were distributed on site during the event and by holding these up facing outwards, the heads of participants were replaced by grinning monsters, spotted frogs and a strange array of abstract creatures.”


In 1938, Johan Huizinga published the book ‘Homo Ludens‘ about ‘the playing man’. The book by the Dutch historian discusses the importance of the play element in culture and society. The theory of situationists such as Huizinga and Constant Nieuwenhuys are often used in predictions of a future in which man will be able to spend all energy and time in creativity and fun within a societal context of a complete mechanical production process where no time and effort of labor are needed. Related to these predictions we often reported about ‘Age of Experience’, as a speculation for the future city beyond the Creative Age. This rather decadent concept quietly seems to become a huge discourse in contemporary urban practice, which leads to a stream of projects to improve urban space. Additionally, Volkswagen launched the Fun Theory, a series of great projects with the purpose to use the fun element in getting people to do things better. Huizinga was quite right in his observation. Will we become Homo Ludens?

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Emily, Will You Marry Me?


Derick Childress spent more than three nights at the Clarion Hotel in Raleigh, North Carolina, to prepare a wedding proposal for his girlfriend Emily. The project he finally came up with must have been a succes, and we therefore hope to congratulate Derick. He made his drawing using light writing technique. A light source is moved (in this case, a 3 million candlepower spotlight) while the shutter of a DSLR camera is left open, creating a streak of light in the final exposure. A couple of months ago Jeroen proclaimed light to be the new graffiti. Here we add another chapter to that story. Here, light takes a position in love-related messages in public space, which before were exclusively meant to be written at viaducts, toilet doors and trees. The special thing here is the scale of the performed artwork. A light writing on this scale has never been done before, which made this job very complicated.


Childress about his preparations:

“I used Google Earth to check out the views from several large buildings in downtown Raleigh, N.C.  Since none of the letters could fall on areas that were inaccessible by foot, the requirements for the vantage point were very specific.  I finally found the perfect spot – the top of the Clarion hotel.  Luckily, the Clarion has a restaurant that is open to the public on the top floor. I went up one afternoon and snapped some pics for reference.”

Read the whole story here.

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